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1 Clip from Jesse Spence in Satisfaction


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Oliver’s Story

If love really does mean never having to say your sorry, then the producers of Oliver’s Story should consider themselves lucky, because otherwise they’d have a lot to apologize for. Banal, melancholic and tepidly shallow, Oliver’s Story is of all things a complete antithesis to Hiller’s infinitely superior Love Story. Where Love Story was a celebration of life in the midst of death, Oliver’s Story is narratively lifeless, so wallowing in death that in retrospect makes the finale of the first film seem like Laugh-In. In Love Story, Arthur Hiller was able to capture the optimism, vitality and spirit of its youth subjects, providing its flower children audience with a moral center to believe in. Here was a couple, Jenny and Oliver, who overcame class, religious and parental boundaries to create a marriage based on love over money or politics or heritage. Love Story was the penultimate baby boomer picture, a movie for youth the world over to celebrate their liberal optimism and flower power innocence.In Oliver’s Story these characters have grown tired, and so has the first film’s spirit. The motivated, liberated youth from the first film become the self-centered, pouty aristocrats that populate this sequel. The hippie sensibilities of the first have been replaced with yuppie complacency, as Oliver goes on a journey discovering that hey, plant ownership ain’t so bad after all. The “love story” in this film is pointless, since both characters care too much about themselves to ever come close to capturing the shared bonding between Oliver and Jenny in the first film. Marcie fills her life with recreation, be it tennis, fancy dinners or overseas photography. Oliver starts off a lawyer with a social concern, but ends up accepting his position into land-owning bourgeois society all because, you guessed it, Jenny would want him to do so. Please.The movie is called Oliver’s Story, and if it is to be about Oliver’s soul searching, it is the most passive and empty searching as I’ve ever seen. O’Neal, who can be great when he wants to be, is reduced to pouting while looking onto open landscapes. While the film covers a span of two years, the dreary setting remains a constant winter, and the trees are as dead as the emotion in this film. Some will call it smart for eschewing the standard romance plot, as Bergen’s character becomes a write-off after an abrupt confrontation two-thirds in, but it is just arrogant writing. Writer Erich Segal (who also penned the first film), seems determined to breakaway from seemingly low brow romance conventions, but in so doing he has created a totally stale and empty film. What is a romance film without any romance? Even the brief sex scene between O’Neal and Bergen is so truncated and undeveloped that it amounts to all the eroticism of a loaf of bread. Stale.The film veers from being a love story to being an empty film on just how oh-so-tough it is being bourgeois. The first film worked so well because Ali MacGraw brought a spunk to her lower class Jenny, who in turn was able to free Oliver from his upper class conceits. Without Jenny, Oliver is just another pouty aristocrat, and nobody wants to see a movie about the wealthy complaining about how hard off they are. Sorry, but tennis matches, overseas trips and countryside dinners do not strike me as a particularly sympathetic lifestyle, widower or not.The whole film is an insult to the original, embracing money over love, individual self-pity over altruistic compassion, and pouting over pleasure. It’s one enormous melancholic bore, where we spend ninety minutes waiting for Oliver to come to the conclusion he should have reached at Jenny’s funeral, and that is the need to move on. What does he move to? The comfort of his father’s wealth. For those two lovers in the first film, who needed only love to make it, such a conclusion is particularly disheartening. Those who wish to preserve their love for the first film and its characters are best to avoid this sellout Love $tory.

Angelina Jolie Little Bit of Leg Off in Her Dress Attending Cannes

You don’t see pictures like this of Angelina anymore since she’s adopted 1000 kids and had some of her own, and I am excited to see her legs again. They show nicely out of her dress as she moves up some stairs at Cannes with Brad. While she doesn’t quite display the skin she once used to, maybe it’s more thrilling to see now because you never really see it. Something about things you can’t easily see that makes you want them way more. Women should know what I am talking about at least, hah! If you want to see the biggest celebrity photo archive around and download tons and tons of raw sex tapes you have to come by Celeb Taboo.

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2 Clips, 5 Pics from Alberta Watson in In Praise of Older Women


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1 video, 5 Pics from Carli Norris in Fanny Hill


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Misty Mundae


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MrSkin.com has:
49 pictures, 230 Clips

The beginning of the week isn’t so hard to take when it’s a Misty Mundae. The lithe star of Seduction Cinema’s freaky funhouse factory in New Jersey puts out carnal sinema at its breast. Not that mouth-watering Misty is exactly busty, but she’s no booby prize. Her petite treats up… >>> read more

See her full Review, images and Clips!!!

Paris Hilton’s Tits Are Firm and Perky

Here’s Paris Hilton going out to the club for a night of ripping with her not as sensual pale skinned sister. These two look so different it seriously lets me down sometimes, but I go for Paris and her hot tits any day. She’s got a tiny ebony dress on and a bra thats holding her rack up so perfectly. To put the icing on the cake she is wearing some hot leggings that really get my cock hard. You always knew back in the day that a babe in knee highs was a true skank and I hope that holds true with starlets. Celeb Heat has all you need when it comes to Hollywood and the sensual celebrity photos that go along with it.

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1 Clip, 1 Pic from Susan Hale in Carnal Passion


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3 Acts of Murder

You know those American TV cop shows or movies where a villain gets inspiration for the perfect murder from a work of fiction and carries out the crime? Well, stuff like that does happen, and maybe this story is the inspiration. At one time this story would have been renowned/infamous in Australian history/popular culture. However, the decades have erased this from the collective memory, so it was a pleasure to see this true story so well told.Set during The Great Depression, in the barren Western Australian outback, it concerns would be novelist Arthur Upfield, who, traumatised by his World War I experiences, has become a recluse of sorts, but working on the rabbit proof fence (a big undertaking), to keep the scourge of farmers out of their properties. Just by the by, there is an Australian mpeg called “Rabbit proof fence”, which concerns the said object and some Aboriginal children. It’s a critically acclaimed flick I haven’t seen, and another true story.Upfield has contact with co-workers and farmers who like to share idle chatter with him. Working on a novel about a part-aboriginal tracker (aborigines used to be used by the police to track criminals hiding in the outback, by using their superior bushman skills), Upfield wants to come up with the perfect murder, to test his hero’s skills. To this end, he seeks ideas from those around him as to the perfect way to dispose of a body so that no evidence of the body is discoverable (i.e. looking for means of destroying a corpse). One can’t say whether such discussions give a certain character ideas, or whether the method discussed merely provides the final piece of a puzzle for someone with a pre-existing murderous intent, but in any case, Upfield’s idle chatter does see several murders take place with no evidence of the crime being obvious.The setting of this film is quite oppressive-the landscape is vast and barren, and the hot, sweaty men makes you feel this horrible environment…you can just imagine the stink of the place.I’d like to point out that seeing this video was especially interesting for me, as I had vague recollections of seeing a TV galleries about Upfield’s hero as a child. That show way about a part aboriginal tracker called Napolean “Boney” Bonaparte, the same character that Upfield was working on in this mpeg. There was a new version of that show called “Bony”, but starring a white Australian in the lead role, but which I never watched. In any case, remembering that I was a big fan of the original TV collections made me want to check this flick out.Back to the video - it has generally solid performances, and early on the characters do tend towards the ocker (like Paul Hogan and Steve Irwin). It wasn’t off putting, but I liked it when it got toned down afterwards. In the last week or so, Australia’s current Prime Minister, Kevin Rudd, did get some mocking for using ocker experessions in an ostentatious way…trying to appear ‘ordinary’ or something…didn’t seem to work for him though! Oddly, I think someone like Rupert Murdoch could get away with it!One aspect which didn’t sit all that well with me was the device, I assume, of reflecting the social context of this case in the personal dialogues of the characters. This just made some of the conversations a little bit awkward and forced…inauthetic, in other words. This same device was used in an Australian video about a real life crime case concerning the supposed murder of a baby. That flick was “Evil angels”, starring Merryl Streep, who occasionally had a dodgy accent, perhaps. I preferred the brilliant mini-series “Through my eyes” for the definitive treatment of that story, which at one time was the biggest story in Australia…an absolute media circus, which the Streep mpeg and mini-series do go into.Reading the credits to this film, I had the sneaking suspicion that a relative of one of the characters in this clip was in some ways responsible for seeing this flick made. That was confirmed to me when I read an article on this video in The Age newspaper’s TV lift out “The Green Guide” (June 11, 2009, pp 12-13) where it is mentioned that the director of movies such as “The circuit”, James Bogle, is the grandson of the bloke where the murders occurred. The Green Guide article features actual images of Upfield and the murderer. Locals from the area play extras too.Lastly, I’d like to mention one of the actors in this video who I have seen before…Nicholas Hope, who plays Detective Manning. He was in one of Australia’s greatest movies, I think, the grungy, blackly comic masterpiece “Bad boy Bubby”. I highly recommend that video. Can’t say that I knew of many of the other actors in this video, but I tend to have an aversion to seeing Australian movies, as I often get burned by them, so to speak (i.e. I don’t find them that interesting of entertaining or good).It should be noted that this mpeg has some female nudity and fuck scenes. Also, some farm scenes involving animals occur, so these scenes may be mildly unpleasant to animal lovers.Might have to acquaint myself with Upfield’s books (at one time he was, and maybe still is, a major international figure in the crime novel genre) or re-acquaint myself with the original Boney TV sets, if that is on DVD. From the mpeg here, you get the feeling that Upfield is ambivalent about a real life murder case making him a prominent author…as if he was merely piggy-backing off of a nasty crime.

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